A Silent Demonstration
In an homage to the demonstrations taking place worldwide, this work can be seen as “a building silently demonstrating”. Using texts written by local Aberdonians …
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A Desire Path Pushing Through a Minefield
A Desire Path Pushing Through a Minefield contemplates the connection between land and body, memory and circumstance, and how all these are intertwined whilst attempting …
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Endurance is a Flower, Fondation Desperados, 2023
‘Endurance is a Flower’ deals with the notions of movement, migration and survival. These broad and global experiences are intimately observed through the story of …
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Separate Reality/Shared Reality
The experience of Covid-19 is a collective one. This is an exceptional time to be alive in the sense that pretty much everyone currently existing …
Read More →Signs Of Hope
In support of the protests and resistance movements in our collective present, I’ve created these images. Download them, print them, put them on signs, share …
Read More →Taking Sides / Mekudeshet Festival, Jerusalem from this islimbo on Vimeo.
A series of interventions around Jerusalem created in collaboration and as part of the Mekudeshet Festival throughout September, 2019
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A Pathology of Hope, Gordon Gallery, 2019
In ‘A Pathology of Hope’, Yekutieli uses the gallery space to create a large scale index, an encompassing installation composed of found objects, mixed media …
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246 Sides To A Story
Located near the Green Line In Jerusalem on the seam of the Talpiot Industrial Zone and Beit Safafa, this abandoned flour factory was caught in …
Read More →It Took Me Till Now To Find You - Lazarides Gallery from this islimbo on Vimeo.
It Took Me Till Now To Find You – Lazarides Gallery
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A Collective Heartbreak
During my stay in Stavanger, I collected stories of heartbreak written by locals. The following stages of this project were then divided into two realms- …
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It Took Me Till Now to Find You, Lazarides Gallery, London, 2017
For this exhibition I collected letters written by Palestinians and Israelis, with the aim of hearing about notions of belonging, of homeland and longing. The …
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‘Parallels’, Wall Drawings – Icônes Urbaines, MAC Lyon, 2016
In ‘Parallels’, the documentation of a series of site-specific interventions, each essentially creating a ‘border’, form the basis of this video installation. These interventions were …
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Vicariously Speaking
Since early 2016, I’ve been corresponding with incarcerated individuals currently serving sentences on death row in a Nashville prison. Following this correspondence, fragments of sentences …
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The Truth, As Told In Our Mother Tongue, Die Kunstagentin, Cologne, 2016
Continuing the artists’ research on the nature of borders, patriotism and national identity, ‘The Truth, As Told In Our Mother Tongue’ continues this line of …
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Empathy, Catinca Tabacaru Gallery, NYC, 2015
In Empathy, artist Addam Yekutieli reexamines his text-based works in the public space. Originally, the words and phrases Yekutieli uses illuminate daily life situations, emphasizing …
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Truth and Method
Truth and Method is firmly based on real human situations, continuing a process of extensive observations of context and appropriation whilst providing greater insight into …
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Taking Sides
An ongoing series of pieces first started in London in 2013, Taking Sides aims to examine the concept of territory and the notion of adopting …
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Small Amendments
A series of site-specific pieces created in Djerba, Tunisia during a residency in the village in July, 2014
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Natural Processes
Documentation of the dynamic lifespan of outdoor work in various settings. The changes shown are as a result of organic circumstances with no interference on behalf of …
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Time Capsules The Gambia
With the time capsule project, the primary intentions and hopes were to create a collective time capsule with the people met during the artists stay …
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Vivid Bunch vol. 2, Die Kunstagentin, Cologne, 2015
As part of a short residency in the city, pieces from the ongoing project ‘Taking Sides’ were presented in this group exhibition. Continuing a series …
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Water Takes the Shape of Its Container, Openspace Gallery, Paris, 2015
In an attempt to show the correlation between the individual and the collective being, ‘Water Takes the Shape of its Container’ presents a portrayal of …
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Truth and Method, Gordon Gallery, Tel Aviv, 2015
Truth and Method is firmly based on real human situations, continuing a process of extensive observations of context and appropriation whilst providing greater insight into …
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Re-reading the Ripples, Roskilde Museum of Contemporary Art, Roskilde, 2014
Focusing on the amorphic notion of collective memory and its relation to the subjective experience and collection of our personal memories, ‘Re-reading the Ripples’ examined …
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How We Were Turned Against Ourselves, Lazarides Gallery, London, 2013
Site-specific installation created as part of the ‘Brutal’ exhibition, an off-site production by Lazarides Gallery.
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The Abstract and the Very Real, Lazarides Gallery, London, 2013
Addressing the human condition and its collective social existence through a series of unique works and a site-specific installation, the exhibition questions the ubiquitous notion …
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A Stumbled Forest, Helena Rubenstein Pavilion for Contemporary Art, Tel Aviv, 2011
Installation shown as part of the ‘Inside Job’ group exhibtion at the Helena Rubenstein Pavilion for Contemporary Art (Tel Aviv Museum)
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